Query
Find articles
Pick a keyword, optionally a second one to combine it with (and, or, either but not both, or but not), then narrow the articles down by text, source and time range. Keywords update the results right away; filters apply with their button.
Query
How they overlap
Of the articles on each keyword in the last 7 days, with the same text and sources, how many also mention the other. Per lean: the share of its outlets' articles on box office that mention film.
66.7% of the 6 articles on box office also mention film, as do 8.0% of the 50 articles on film.
- Left-leaningno article on box office
- –
- Least biased2 of 3 articles
- 66.7%
- Right-leaning2 of 3 articles
- 66.7%
Who picked it up when
Forbes mentioned it first (Oct 21, 2026, 9:58 AM EDT). Right-leaning outlets followed 4 days later. No left-leaning outlet mentioned it.
One row per source with a matching article, from the most left-leaning on top: a dot for each article, on a bar for each stretch of its coverage (a pause of more than 24 hours starts a new one). Hover or tap a dot for the headline, click it to read the article.
Source lean:leftcenterright
Source leans by Media Bias/Fact Check.
Results
4 articles mention box office and film in the last 7 days (Oct 20 to Oct 26).
| Article | |||
|---|---|---|---|
| Forbes | ‘Clayface’ Shy Of Modest $45 Million Target As Second Soft DCU ReleaseForbes Is DC's latest soft performance by "Clayface" a warning sign? Or is history repeating itself with another merger merger and fears of studio meddling? | 0.65 | |
| Breitbart | Nolte: ‘Musk’ Hit Job, Aaron Sorkin’s Fascist ‘Social Reckoning’ Both DOA at Box OfficeBreitbart Writer-director Aaron Sorkin spent $50 million of Sony’s dollars to produce a fascist movie that attempts to shame corporate America into censoring the “unapproved” political and social opinions of everyday people. The post Nolte: ‘Musk’ Hit Job, Aaron Sorkin’s Fascist ‘Social Reckoning’ Both DOA at Box Office appeared first on Breitbart . | 0.55 | |
| The Washington Times | 'You Can See Everything' surges with $19.5M at box office; 'Clayface' takes No. 1The Washington Times DC Studios scored a modest, R-rated win with "Clayface," landing a $24 million opening weekend, according to studio estimates Sunday. But the biggest success story in theaters remained A24's Elizabeth Holmes documentary "You Can See Everything," which pulled in $19.5 million in its first weekend of wide release. | 0.75 | |
| Forbes | ‘You Can See Everything’ Just Broke A 20-Year Box Office RecordForbes You Can See Everything has just broken a box office record that is 20 yerars old, and held by Borat, of all films. | 0.70 |
Source leans by Media Bias/Fact Check.
Narrow further
Other keywords in the matching articles: the share of them that mention each, with the number of articles.
No other keyword appears in more than one of the matching articles.
Coverage by source
The share of each source's stories in the last 7 days that match the query, from left to right. Sort the table to reorder the bars.
Source lean:leftcenterright
Source leans by Media Bias/Fact Check.
| Forbes | 0.5% | 2 | 399 |
| The Washington Times | 0.3% | 1 | 374 |
| Breitbart | 0.3% | 1 | 404 |
Coverage by lean
The share of stories that match the query, in the last 7 days, averaged over the outlets of each political lean with at least 3 stories. The groups differ in size, so a single outlet weighs more in the smaller ones.
- Left-leaning0 of 15 sources
- 0.0%
- Least biased1 of 8 sources
- 0.1%
- Right-leaning2 of 15 sources
- <0.1%
Lean index +3.6: covered more by right-leaning outlets
Each outlet at its MBFC bias score, from −10 (far left) to +10 (far right), as high as the share of its stories that match the query. The lean index is the average score of the outlets covering it, weighted by that share.
lean indexour sources' average (+0.4)leftcenterright
Bias scores by Media Bias/Fact Check.
1 source has no MBFC bias score and is not shown.
Source leans based on ratings by Media Bias/Fact Check.