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Look into that unblinking gaze and see the abyss.

In less than two decades, Elizabeth Holmes went from Stanford dropout and Silicon Valley superstar to convicted fraudster.

Nathan Fielder and Lance Oppenheim’s You Can See Everything has packed movie theaters and set records at the box office. It’s also kicked off a debate about, well, pretty much everything that happens on screen – including whether the film's subjects, notorious fraudster Elizabeth Holmes and her mysterious partner Billy Evans, can ever be trusted. Carter Sherman and Guardian arts writer Adrian Horton break down Horton's five-star review of the film, analyze Evans's most shocking moments and chart Holmes' trajectory from girlboss to (maybe) tradwife. They want to know: how did ideas about gender and sex shape this film? Contains spoilers Continue reading...

You Can See Everything, a documentary about the disgraced biotech company founder Elizabeth Holmes, has enjoyed a record-breaking opening in the US. It is a testament to how fascinated we remain by the convicted fraudster, but what is behind the enduring appeal? US technology editor Blake Montgomery tells Madeleine Finlay why Holmes continues to fascinate us, and reflects on whether the Theranos scandal has had a permanent impact on Silicon Valley Continue reading...

You Can See Everything, a documentary about the disgraced biotech company founder Elizabeth Holmes, has enjoyed a record-breaking opening in the US. It is a testament to how fascinated we remain by the convicted fraudster, but what is behind the enduring appeal? US technology editor Blake Montgomery tells Madeleine Finlay why Holmes continues to fascinate us, and reflects on whether the Theranos scandal has had a permanent impact on Silicon Valley Clip: You Can See Everything, A24 ‘You can’t make this stuff up’: why we remain fascinated by Elizabeth Holmes Continue reading...

With You Can See Everything, Holmes joins other such high-profile subjects as Lance Armstrong, Imelda Marcos and Anthony Weiner to allow film-makers to document their lives. But do they ever come out well? In You Can See Everything, convicted fraudster Elizabeth Holmes invites film-makers Nathan Fielder and Lance Oppenheim into her home in a supposed act of “radical transparency”. Holmes is filmed, along with her partner, Billy Evans, and their two young children, in the weeks before starting a prison sentence for defrauding Theranos investors. “The best way for people to see who she is,” Evans says, “is to give as much access as possible into our daily lives”. It may also be the best way to market “Theranos 2.0”, which the couple are working on during filming. But the documentary questions whether Holmes is presenting her authentic self or a manufactured persona. Fielder speaks for the audience when he asks Holmes in a tense exchange whether she’s “being real” with him. “I’m always being real,” she says. That question of authenticity is at the heart of documentary film-making. You Can See Everything is as much about the ambiguous relationship between film-maker and subject as it is about Holmes herself. There is often a power struggle over narrative control in documentaries, with both sides of the dynamic wanting different outcomes from the final film. Watching You Can See Everything inevitably prompts the question: why would Holmes, days before she heads to jail, invite the scrutiny of a film crew? Continue reading...

Views of “The Dropout,” a 2022 Hulu miniseries about convicted fraudster Elizabeth Holmes, surged 400% the day after new documentary “You Can See Everything” opened in theaters.