Find articles

'Nobody Wants This' is back for season 3 on Netflix, and fans are wondering if it will return for season 4. Here's the latest information on

"Dancing With the Stars" Horror Movie Night is almost here. See all the songs, dances and horror movie inspirations as Val Chmerkovskiy prepares to return following his suspension.

We need more Dutton Ranch ASAP!

"Charlotte and Louis are obsessed with it. It’s really good telly," William, 44, shared on "The Graham Norton Show" Friday.

Houdini-style thrills, Marvel-style set pieces and relentless twists? The stakes are higher than ever in the hit crime series – but beneath the action, it asks some big questions Something strange has happened with Lupin. Two years after the French jewel heist thriller’s third season aired, its series one plotline played out in real life, in the form of a global news story turned viral sensation. The Louvre heist of 2025 happened by day – while Lupin’s main character Assane Diop (Omar Sy) stole jewels from the Louvre at night. The real-life robbers posed as construction workers – Diop posed as a caretaker. You couldn’t help but draw comparisons. So it returns for the fourth series with a salience the makers could never have predicted – amid a renewed appreciation of the power of a cleverly crafted disguise to dupe even the world’s most revered cultural institutions. Continue reading...

Kip Moore revealed how a Central America surf trip and a scribbled note about two wolves inspired "The Wolf" for "The Terminal List" season two.

This Silicon Valley satire follows a CEO in trouble after the collapse of an acquisition deal. Created by Succession writer Jonathan Glatzer, each character is more awful than the next – and it is stuffed with twists and treacheries What if Mike Judge’s cult hit sitcom Silicon Valley were remade as a dramedy and we had in the meantime come to appreciate tech and its titans as existential threats to humanity, I hear you ask. Well, wonder no more – the answer is here, and it is The Audacity. It comes at you in hour-long episodes, which rush past at breakneck speed and leave you panting and deeply unsettled in their wake. Rather like modern life itself, of course, except for the relief available while the credits roll, before the next chunk of horrors arrives. The Audacity has a sprawling cast (especially in the opening episodes, which really are frenetic) but the figure around which most of the narratives move is Duncan Park (Billy Magnussen). He is the part-bullish, part-neurotic and wholly unbearable CEO of Hypergnosis, a data brokerage company he founded with a friend, who has since been struck by tragedy. Continue reading...

Composers have harnessed TV and cinema since Menotti’s Amahl and the Night Visitors pulled in five million viewers 75 years ago but for my money Kombat Opera’s satire showed us how to do it best It’s not even Halloween, but here’s an operatic Christmas story for you. This is the 75th anniversary of the first opera made for television: Gian Carlo Menotti’s Amahl and the Night Visitors, broadcast at Yuletide in 1951 and watched by five million people across the US in a production sponsored by Hallmark. You can watch the original broadcast on YouTube : it was introduced with wit, self-deprecation and early 50s elegance by Menotti himself (vastly less charmingly, the role of King Balthazar was played by a singer in blackface). Chet Allen’s performance as the boy, Amahl, is staggering, and even more moving is Rosemary Kuhlmann’s Mother, especially in her aria, All That gold!. Amahl is “an opera for children because it tries to recapture my own childhood”, Menotti said. It was played on US TV every Christmastime throughout the 50s, and was recorded and remade in new productions the next decade, while the BBC picked it up in 1953, and there was even an Australian TV version. Less than an hour long, Menotti’s festive fable works because of the intimacy of its story, and its refusal to patronise its intended audience. Continue reading...

Disney+ and Hulu have officially greenlit a “Glee” reboot from Ryan Murphy—here’s what we know.

This rehash of the notorious study in which volunteers role-play as prisoners and guards pretends to be science. It isn’t – it’s patronising reality television Television has rerun the Stanford prison experiment before, most notably in 2002 when the BBC aired The Experiment, which advertised itself as a more rigorous version of the stunt where volunteers role-play as prison guards and prisoners. The creator of the original 1971 experiment, Philip Zimbardo, would probably have criticised the new versions to preserve his own status, but the main point he made was valid. These people all know they’re on TV, he said. They’re playing to the cameras. Whether the participants in a behavioural study forget they’re part of a study is an eternal debate point. One of the strengths of the other notorious American people-are-awful research project, the Milgram experiment , was that it made the artifice part of the process, telling the volunteers that they’d spoil the science if they didn’t keep giving strangers electric shocks: “The experiment requires that you continue.” Without that, the stooges may never act naturally; if they know the experiment is also a TV show, they definitely won’t. Continue reading...

Talk about an agonizing cliffhanger...

Roseanne Barr self-financed her new sitcom "Meemaw" and is now shopping it around, including to Elon Musk who she said didn't reply.

In their first interview, the Ginsburg Chan brothers talked Ted Lasso and their love of acting with Decider.

Best miscategorized as a thriller, this offbeat Hulu series starring Connie Britton and Sam Nivola delightfully upends expectations

Let's get into the biggest spoiler of You Can See Everything.

“Real Housewives of New York City” star Carole Radziwill stopped by the Page Six Studio to chat with “Virtual Reali-Tea” cohosts Evan Real and Danny Murphy and gushed over her New York Post cover. She clears up the street cleaning rumors, the number of parking tickets she gets and why the car is currently in...

I’m never fully concentrating, always simultaneously thinking a huge thought about the future or scrolling through Vinted Some friends and I were talking, at the weekend, about the TV shows War (about a couple getting divorced) and The Diplomat (about an entirely different couple, not getting divorced). I hadn’t seen either because I was busy with Colin from Accounts. One friend had seen one show but not the other, and couldn’t remember which; a second friend had seen both and couldn’t remember anything that happened in either. It emphatically wasn’t because they weren’t good. The second friend seemed medium-sure, in fact, that they were both great. His thesis is that he just watches so much TV that none of it can find any purchase in his memory. Continue reading...